literature

Bed Of Clams

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Literature Text

There is a parallel world of conversation that never ventures past our lips. The dialogue consists of taboos of interaction that would only clamber off our dry tongues with an awkward clang; confronting lumps in our throats that we swallow back for fear of breaching a social boundary line etched by formality. Some truths are better not dealt with frankly, and frankly, better left unsaid.

So he watches. Glances. Stares. His sensitive scalpel eyes gravitate to her with addicted appreciation, flick away again, slide back for more; detecting her barely evident subtleties with deft perception. The neglected fall of hair that begs to be brushed back. The sharp gasp under her breath as she bumps what must be an injured thigh against the corner of the desk. The customary lift of her shadowed eyes to the window. The yawns that look like silent screams.

Her spirit is cursed with the beauty of a black rose among thorns. He knows she is like him, a different shape than the others. Something in her makeup had perverted the standard form when she was cast. Or perhaps after she had set, parts of her had eroded and crumbled until she no longer resembled their peers. It doesn’t really matter how she is this way. Just that she is, and her imperfection is the perfect shape for his.  

He notices her decline over the months, and sees the despondence of death in her eyes first. Any light that had once sustained her has faded to faint embers. Now she haunts the halls like a ghost that seems to appear only to him; subsisting like a wisp of breath that separates a person and a cadaver. A comatose soul in a beating heart, dying inside a shell of functioning flesh. He wonders whether she is half-awake or half-asleep.

Her need grows graver by the day, and he is tortured by its magnetism. He craves sating her, and dreams impossible scenarios in which it is safe to force apart his lips and rasp his observations. He imagines the taste of her tears, their warmth on his fingertips; her clinging to him.  

It aches to think these thoughts; but he is powerless to stop the viral augmentation of such bittersweet tantalisations. They roam his mind at will, leaving him ill, restless and wretched. He despises her. Almost. He hates how she has wound her way into his system, infecting him, pervading his thoughts. He wishes he had never set eyes on her, or that she was just the standard shape. But she is not to blame. Someone has to love her.

As always, his jaw remains clamped shut, bolted with fear and rusted with disuse. Right up until her slit wrists are broadcast on the local news, where they mispronounce her surname when adding it to the casualty list of societal apathy.

“… Those of us who can do something, must do something …” He hears it on the television while he gazes blankly at the screen, struck numb and somehow more alone than he thought he had been. The line strikes out at him with sour resonance, and sinks like lead into the pit of his paralysed stomach.
Was he responsible for her solitude?
He let her be sick.
He killed her.

He is found on her grave, drained by the vermilion stain of his repentance.
My first short story.
I considered writing from a female perspective, obsessed with a guy, but it just felt really, really lame, and I wanted freaky-romance, not fluffy-romance. I don’t know if this attempt at writing for a male character worked particularly well as it doesn’t contain any sex, violence or food. I suppose the guy is me if I were a guy (scary huh).

The themes I intended to exercise in this piece are responsibility and guilt. This story depicts the worst-case-scenario of not reaching out to someone.

And in this pack of cowards I’m the scaredest of them all.
© 2007 - 2024 violetvapours
Comments5
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Okay. Okay. This is good, the first sentence especially. In the beginning you do a very good job of portraying that type of circumstance, the thoughts and subtleties behind it, so much so that it began to feel more like a memory than someone else's writing. After that, though, when you get to the sentence.. "He notices her decline over the months..." I feel like something isn't entirely right there, almost as if you lack a smooth transition from the previous paragraph. It just seems as if you're changing perspective too rapidly, and it has a kind of jarring effect--I actually had to stop reading and like, go back. Aside from that, the only other portion of the piece that really had a similar "jarring" effect was the ending. It might be a little bit too much to..well..it's just that I didn't really feel that it fit, exactly. You said that you wanted to incorporate "guilt" into the piece and suicide is a pretty effective way of doing so, but to be honest with you it kind of felt overdone and not in line with the feeling of the piece as a whole. The subtlety of what the guy is experiencing, the way that he can appreciate such small things about the girl that he's admiring..it just gives him too much depth to be written off with the image of him bleeding on a grave, which seems juvenile in comparison. It just kind of cheapens the character. I don't really know if I'm being all that clear, but hopefully you get something out of this. Anyways, with a small exception regarding what I said, I liked it a lot. You're good with words, and it's nice to see.